This handsome composition is evidence of Agam's clean sense of design involving nesting circular shapes as well as an oval form.

A Certificate of Authenticity provided by American Design Ltd. accompanies this print citing the print number 71/180 and stipulating that the screen was destroyed.

Born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books.  Agam considers himself somehow as a visual continuation of his father's quest for spirituality.

Agam studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University.  After arriving to Paris in 1951, Agam held his first one-man exhibition with a great success in 1953. This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art.

Agam's prints typically demonstrate optically kinetic imagery.

The above was excerpted from www.AskArt.com

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